Refreshing resolution to the I chord from parallel major scale.Tomboyish Girl in LoveAkutagawa Ryuunosuke's KappaLove-colored Master SparkMaiden's CapriccioBassEspecially important points are marked in red.Chord progressionBuddhist rhythm and unusually long songAwakening of the Earth SpiritsGreat Fairy WarsSakura SakuraChordUndefined Fantastic ObjectMr. ZUN changed his composing technique quite a bit after Double Spoiler, and made many themes unable to classify by this method.Old YuanshenModulationRural Makai City EsoteriaWalking the Streets of a Former HellPerfect Cherry BlossomSubterranean AnimismShoot the BulletCatastrophe in BhavaagraAn Ice Fairy in SpringTengu's NotebookEastern Judgement in the Sixtieth YearHeartfelt FancyRhythm, etc.Beware the Umbrella Left There ForeverFairy WarsAt the End of SpringWind CirculationThe Traditional Old Man and the Stylish GirlHartmann's Youkai GirlLast RemoteUsing Dorian 6thPhantasmagoria of Flower ViewA bit unique ones who use Dorian 6th and Fa at the same times.provisional extracted editionBroken MoonU.N. Owen Was Her?Ghost LeadThe Tiger-Patterned BishamontenHellfire MantleSleepless Night of the Eastern CountryRoad of the Misfortune GodTrial of classifying Touhou characters by the composing techniques used in their original themes.Nuclear......Immaterial and Missing PowerTen DesiresWind God GirlGreen-Eyed JealousyLullaby of a Deserted HellYoukai DominationImperishable NightMelodyWith rubatoLet's Live in a Lovely CemeteryMagus NightMysterious chordsWelcome to Youkai TempleSky of Scarlet PerceptionCrimson in the Black SeaMusical form and othersSomehow in major keysHeian AlienSatori MaidenLegend of the Great GodsRigid ParadiseSolar Sect of Mystic WisdomSeptette for a Dead PrincessThe Sealed Cloud RouteThe Sealed-Away YoukaiThe Dark BlowholeRetrospective KyotoA Tiny, Tiny, Clever CommanderThe Bridge People No Longer CrossCorpse VoyageA Flower-Studded Sake Dish on Mt. OoeTengu is WatchingMountain of FaithLunar Clock ~ Luna DialEmbodiment of Scarlet DevilArranger-killers who use chromatic scales in their theme melodies.Scarlet Weather RhapsodyLong punkt
Long kontrapunkt? (counterpoint)Twisted clichéEastern Sky of Scarlet PerceptionBloom Nobly, Ink-Black Cherry BlossomOni's Island in the FairylandNative FaithThe Primal Scene of Japan the Girl SawNight FallsDark Side of FateVoyageCemetery of OnbashiraLocked Girl ~ The Girl's Secret RoomHina-chan and Kanako-san have a bit different properties.VoyageThe Youkai MountainRaging pianoFall of Fall ~ Autumnal WaterfallThe Venerable Ancient BattlefieldPlayer's ScoreThe Gensokyo the Gods LovedVoile, the Magic LibrarySealed GodsExtend Ash ~ Person of HouraiBecause Princess Inada is Scolding MeYoukai DominationShanghai TeahouseA God that Misses PeopleDoll Judgment ~ The Girl Who Played with People's ShapesFaith is for the Transient PeopleTomorrow Will be Special, Yesterday was Not"The Gensokyo the Gods loved" is especially fresh due to its IV-I6 resolution.(Without Tension) Using Major and Minor Chords (?)Bass moves up in the same direction more than 4 timesSuika-san and Yuuka-san thereafter, have a different resolution.Theme counterpointing the melody.Using chromatic notes on melodyUsing I chordUsing diminished fifthUsing chords equivalent to Neapolitan onesJust the directions of Letty's theme is somewhat different (?)Using VI6Surprised me as a music makerAbout the table / For beginners too!Dreamer maidens that uses VIb-VIIb chord progression(Aya modulation) Modulating to the relative key signature by a minor third. (?)Bass moves down in the same direction more than 4 timesUsing Fixed Cadential form (I-V-I)(Including cliches) Using augmented fitth(Including cliches) Using sixthBecause Nazrin's theme is improptu-like, it's a little bit of a special casePolyrhythm or rhythm changingOnly the tree fairies solves the progression using a major chord (?)Speaking of Yuyuko's TD theme.Mass of cool mystery cliches. Nitori and her cheerful gangAlice and her cheerful gangAya and her cheerful gangSomebody should write a book about these couplings.The fourth trioMake a contract with me and become a magical girl!It’s possible that some pieces are not on the chart… If one of them has slipped my mind please forgive me!Pieces that repeat a motif no longer than 4 measures using minor-third modulation.Minoriko's is close to the axis system of Bartók because it does not repeat a lot and contains cadenza.Pieces that modulate a minor third away and come back through a cadenza.Nitori's and Shizuha's are beautiful but difficult for arrangements. Only Chen's modulation is in opposite direction.(Including exceptions) Using Mode MixtureBorrowing from a Hemitonic scaleUsing augmented second / diminished fourthBass keep going up and down more than 3 times between the interval of a second.Using secondary dominants.Using the dominant.Using sub-dominants in minor keyUsing sus4 chords.Using a different tuning from the modern one (440hz)3/4 time signature or a compound time signature.Uses secondary dominants in a classical way here and there.Using the picardy third-Using sequenses.(Alice modulation) Minimal modulating by a minor third interval.(Nitori modulation) Temporary modulation by a minor third interval.Intro with a well-defined thematic statement.A Dream More Scarlet than RedCrystallized SilverUsing Fa in solmization (Most likely an error where it should say 'Fi' instead)Apparitions Stalk the NightLunate ElfThe melancholic duo featuring VIm7.Especially Shizuha and Tewi.Upon closer look, it turns out that Aya is in both Alice modulation and Nitori modulation.A Soul as Scarlet as a Ground CherryThe Doll Maker of BucurestiThe Maid and the Pocket Watch of BloodThe Young Descendant of TepesThe Centennial Festival for Magical GirlsAn Eternity More Transient than ScarletParadise ~ Deep MountainScarlet Tower ~ Eastern Dream...Shanghai Alice of Meiji 17Ghostly Dream ~ Snow or Cherry PetalDiao Ye ZongThe Capital City of Flowers in the SkyParadise ~ Deep MountainGhostly Dream ~ Snow or Cherry PetalThe Fantastic Tales from TōnoPieces that, based on the VI note or IV# note, go to IV#m (i.e. VIm/VI from the parallel scale of the same tonic) instead of VIm or II6 and soon come back.Half-cadence girls whose themes end on dominant.Multitasking by playing major chord/key and minor chord/key simultaneously.Hollow fifthThere are two types: the classic Shizuha's where dominant motion is done by common tones at the end of a phrase, and Kisume's where a semitone above the chord at the end of a phrase becomes IV of the original key.This chart is based on solmization, with the help from of Nakasako Sakana, the leader of Machikado-Mapoze. There may be mistakes in the pieces which Sakana did not listen very carefully.I don't have perfect pitch, so I don't understand any bit of tonality. Speaking of equal temperament (hour-long speech.) By the way, when naming notes, be consistent on the language you use, be it Italian, English, or German."Pieces that can hardly be made major," "pieces that are difficult for arrangement," "pieces that don't break no matter how I twist it," "guidance to classical arrangement," "passion for favorite pieces," "passion for Minoriko." If you are interested in any of the above, you can always contact me.Actually, Machikado-Mapoze arrangements do not take such difficult things into consideration. If you are interested, please consider buying our CDs!Making D from minor scale into V of a major scale and going to IV in opposite direct, then treating IV as V and modulates to minor I, which is a second below. This surprises me.The product of 12, the number of notes in the arpeggio at the beginning, and 9, the number of measures after which a sine wave adds in polyrhythmically, is 108.The absolute Roman numeral notation is used in order to avoid confusion (e.g. C becomes IIIb in the key of A minor.)The absolute Roman numeral notation is used in order to avoid confusion (e.g. C becomes IIIb in the key of A minor.)Japanese style done by adding a sixth in melody line above the IV chord.Suika's resolution is that to the added sixth of V chord, and Yuuka's is to a sus4.Has an exotic way of adding major seconds and diminished fourths.Bluesy ones who use diminished fifths.The strong ones using Neapolitan or Phrygian cadence.
